Performing Art
表演藝術
Around 2007, Reguera began projecting his paintings into space, first horizontally through a series of installations on the floor. While exploring the relationship with the space around the paintings, he also began expanding his three-dimensional paintings. In 2010 the next step was to place a three-dimensional painting on the wall and then expand it in front of an audience, as if the image’s substance, its lifeforce, were leaking out. For Reguera, the most intense and exciting aspect of the performance was for it to emerge organically while everyone was listening to the same music.
2007年前後，雷古拉開始將畫作投射於空間，起初透過一系列置於地上的装置藝術把畫面横向伸延。後來在探索自身作品與空間關係時，他更把畫布延展成三維畫體。2010年，雷古拉決定邁進一步，把一幅立體畫安置在牆上，然後在觀眾面前為其延伸，務求呈現如物質那種活力四射的狀態。對藝術家而言，表演藝術中最刺激且有張力的，是其即興性和自發性，而大家在過程中也聽著相同的音樂。
UMAG Performance with Alberto in action
Reguera is committed both to interacting with individual spectators and to bringing out a painting’s intangible aspects—the space which surrounds the physical work. These vibrations, or aura, are what the painter sets out to materialise through a form of upward spilling or throwing. This approach helps Reguera to see how painting can broaden artistic paths and affirm the worth of contemporary art.
雷古拉同時致力與觀眾互動和創造繪畫的無形體——那圍繞畫作的空間。透過朝上揮灑的動態，藝術家實現了一直追求的震顫、氛圍，也探索到繪畫現今的發展動向，足証繪畫在當代藝術中的效力。
UMAG performance-related expanded work
Alberto Reguera
Expansive Evening Lights (expanded)
Mixed media on canvas
2019 / 2023
L. 250 cm x W. 300 cm
Collection of the artist
艾拔圖·雷古拉
《（被擴大的）擴大暮色》
布本混合媒介
2019年/2023年
長250厘米 x 闊300厘米
藝術家收藏
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